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"Japanese Native"
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Usumino Kizukishi 2 monme
Board-dried in the sun. Extremely fine formation quality. Especially suitable for conservation ap...- Handmade
- 100% Nasu Kozo
- Regular, 60 x 90 cm
- Light (<30 gsm)
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Conservation Kozo Roll
Fibre is whitened naturally and cooked in lime. One of the best machine-made conservation papers ...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Light (<30 gsm)
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Kashiki Haini Gampi Roll
Cooked in lime. Especially suitable for copperplate printing.- Machinemade
- 100% Okayama Gampi
- Roll, 980mm x 61M
- Light (<30 gsm)
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Kashiki Haini Gampi Roll
Cooked in lime. Especially suitable for copperplate printing.- Machinemade
- 100% Okayama Gampi
- Roll, 980mm x 61M
- Light (<30 gsm)
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Kashiki Haini Mistumata Roll
Cooked in lime. Sofly lustrous surface, suitable for various printmaking purposes.- Machinemade
- 100% Tosa Mitsumata
- Roll, 980mm x 61M
- Light (<30 gsm)
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Kashiki Haini Mistumata Roll
Cooked in lime. Sofly lustrous surface, suitable for various printmaking purposes.- Machinemade
- 100% Tosa Mitsumata
- Roll, 980mm x 61M
- Light (<30 gsm)
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Kashiki Haini Printmaking Roll Thick
Cooked in lime. Internally sized. One of the highest-quality machine-made printmaking papers avai...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Heavy (>71 gsm)
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Kashiki Haini Printmaking Roll Middle
Cooked in lime. Internally sized. One of the highest-quality machine-made printmaking papers avai...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Medium (31-70 gsm)
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Kashiki Haini Printmaking Roll Thin
Cooked in lime. Internally sized. One of the highest-quality machine-made printmaking papers avai...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Medium (31-70 gsm)
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Kashiki Printmaking Roll Hongusa
Internally sized. Especially suitable for large-scale projects.- Machinemade
- 60% Japanese Tosa Kozo + 40% Wood Pulp
- Roll, 980mm x 61M
- Heavy (>71 gsm)
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Kashiki Printmaking Roll Jun Kozo
Internally sized. Especially suitable for large-scale projects.- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Heavy (>71 gsm)
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Yukyu Shi 25g
Local Gokayama kozo fibre is whitened naturally through the snow-bleaching process. Especially su...- Handmade
- 100% Gokayama Kozo
- Regular, 63 x 93 cm
- Light (<30 gsm)
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Yukyu Shi 22g
Local Gokayama kozo fibre is whitened naturally through the snow-bleaching process. Especially su...- Handmade
- 100% Gokayama Kozo
- Regular, 63 x 93 cm
- Light (<30 gsm)
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Yukyu Shi 17g
Local Gokayama kozo fibre is whitened naturally through the snow-bleaching process. Especially su...- Handmade
- 100% Gokayama Kozo
- Regular, 63 x 93 cm
- Light (<30 gsm)
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Kurotani Kizuki Kozo Shi
Made with green bark included. Kurotani has a history of over 800 years as a washi production area.- Handmade
- 100% Kurotani & Kishu Kozo
- Regular, 65 x 98 cm
- Light (<30 gsm)
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Fukunishi Udagami
Local white clay is mixed in, resulting in soft, stable sheets. Especially suitable for conservat...- Handmade
- 100% Yoshino Kozo
- Small & Narrow, 32 x 145 cm
- Medium (31-70 gsm)
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Hosokawa shi
Made with only white bark. Recognized as an Important Intangible Cultural Property.- Handmade
- 100% Tosa Kozo
- Regular, 40 x 43 cm
- Medium (31-70 gsm)
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Hosokawa shi
Traditional Hosokawa production method, including green bark (amakawa).- Handmade
- 100% Tosa Kozo
- Regular, 63 x 93 cm
- Medium (31-70 gsm)
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Usumino Kizukishi
Board-dried in the sun. Extremely fine formation quality. Especially suitable for conservation ap...- Handmade
- 100% Nasu Kozo
- Regular, 60 x 90 cm
- Light (<30 gsm)
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Sekishu Kozogami Tsuru
Made with green bark included, resulting in an especially strong paper. Fibre is beaten in nagina...- Handmade
- 100% Sekishu Kozo
- Small & Narrow, 53 x 73 cm
- Light (<30 gsm)
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Yukyu Shi 41g
Local Gokayama kozo fibre is whitened naturally through the snow-bleaching process. Especially su...- Handmade
- 100% Gokayama Kozo
- Regular, 63 x 93 cm
- Medium (31-70 gsm)
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Inshu Kizuki Kozo shi
Especially suitable for conservation applications.- Handmade
- 100% Tosa Kozo
- Regular, 64 x 97 cm
- Light (<30 gsm)
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Mitsumata
Dried on wooden boards in the sun. An exceptionally smooth surface for writing. Also suitable for...- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 26 x 18 cm
- Light (<30 gsm)
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Mitsumata Double
Cooked in lime. Dried on wooden boards in the sun.- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 55 x 70 cm
- Light (<30 gsm)
