You have no items in your shopping cart.
-
Tosa Seichosen
Cooked in lime. Gofun (shell powder) mixed in. Dried on wooden boards in the sun. Its large size ...- Handmade
- 100% Tosa Kozo
- Large, 74 x 104 cm
- Medium (31-70 gsm)
-
Goyu
A popular standard paper for beginners and students for over 50 years. Beware of imitations.- Handmade
- 50% Thai Kozo + 50% Wood Pulp
- Small & Narrow, 59 x 79 cm
- Medium (31-70 gsm)
-
Kaji Natural
Dyed to a cream/natural colour with direct dyes. Suitable for a wide variety of purposes.- Handmade
- 90% Thai Kozo + 10% Wood Pulp
- Regular, 62 x 99 cm
- Light (<30 gsm)
-
Okawara Small
Dyed to a cream/natural colour with direct dyes. Student-grade paper suitable for printmaking and...- Handmade
- 100% Thai Kozo
- Small & Narrow, 31 x 41 cm
- Medium (31-70 gsm)
-
Okawara Large
Dyed to a cream/natural colour with direct dyes. Student-grade paper suitable for printmaking and...- Handmade
- 100% Thai Kozo
- Small & Narrow, 38 x 98 cm
- Medium (31-70 gsm)
-
Ohban Misu with Clay
Calcium carbonate mixed in. Especially suitable for budget-conscious backing and mounting applica...- Handmade
- 70% Thai Kozo + 15% Manila Hemp & 15%Wood Pulp
- Regular, 63 x 98 cm
- Light (<30 gsm)
-
Kashiki Printmaking Roll Jun Kozo
Internally sized. Especially suitable for large-scale projects.- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Heavy (>71 gsm)
-
Kashiki Printmaking Roll Hongusa
Internally sized. Especially suitable for large-scale projects.- Machinemade
- 60% Japanese Tosa Kozo + 40% Wood Pulp
- Roll, 980mm x 61M
- Heavy (>71 gsm)
-
Kashiki Haini Printmaking Roll Thin
Cooked in lime. Internally sized. One of the highest-quality machine-made printmaking papers avai...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Medium (31-70 gsm)
-
Kashiki Haini Printmaking Roll Middle
Cooked in lime. Internally sized. One of the highest-quality machine-made printmaking papers avai...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Medium (31-70 gsm)
-
Kashiki Haini Printmaking Roll Thick
Cooked in lime. Internally sized. One of the highest-quality machine-made printmaking papers avai...- Machinemade
- 100% Tosa Kozo
- Roll, 980mm x 61M
- Heavy (>71 gsm)
-
Kashiki Haini Mistumata Roll
Cooked in lime. Sofly lustrous surface, suitable for various printmaking purposes.- Machinemade
- 100% Tosa Mitsumata
- Roll, 980mm x 61M
- Light (<30 gsm)
-
Kashiki Haini Mistumata Roll
Cooked in lime. Sofly lustrous surface, suitable for various printmaking purposes.- Machinemade
- 100% Tosa Mitsumata
- Roll, 980mm x 61M
- Light (<30 gsm)
-
Kashiki Haini Gampi Roll
Cooked in lime. Especially suitable for copperplate printing.- Machinemade
- 100% Okayama Gampi
- Roll, 980mm x 61M
- Light (<30 gsm)
-
Kashiki Haini Gampi Roll
Cooked in lime. Especially suitable for copperplate printing.- Machinemade
- 100% Okayama Gampi
- Roll, 980mm x 61M
- Light (<30 gsm)
-
Kitakata Classic
Very smooth surface, suitable for many types of printing.- Machinemade
- 90% Phillipine Gampi + 10% Wood Pulp
- Small & Narrow, 415 x 545 mm
- Medium (31-70 gsm)
-
Okawara Student Grade (Original)
Dyed to a cream/natural colour with direct dyes. A popular standard paper for beginners and stude...- Handmade
- 50% Thai Kozo + 50% Wood Pulp
- Small & Narrow, 64 x 47 cm
- Medium (31-70 gsm)
-
Kozo/Mitsumata Blended #2
For various printmaking purposes including certificates.- Handmade
- 80% Mino Kozo + 20% Okayama Mitsumata
- Small & Narrow, 43 x 35 cm
- Heavy (>71 gsm)
-
Kozo/Mitsumata Blended #1
For various printmaking purposes including certificates.- Handmade
- 80% Mino Kozo + 20% Okayama Mitsumata
- Small & Narrow, 50 x 35 cm
- Heavy (>71 gsm)
-
Tosa Seikosen
Cooked in lime. Gofun (shell powder) mixed in. Dried on wooden boards in the sun. Its large size ...- Handmade
- 100% Tosa Mitsumata
- Regular, 74 x 104 cm
- Medium (31-70 gsm)
-
Oguni Kigami Yukizarashi
Local Oguni kozo fibre is whitened naturally through the snow-bleaching process. Cooked in wood-a...- Handmade
- 100% Oguni Kozo
- Regular, 65 x 99 cm
- Light (<30 gsm)
-
Oguni Kigami Small 45.1~50.2g
Local Oguni kozo fibre is whitened naturally through the snow-bleaching process. Cooked in wood-a...- Handmade
- 100% Oguni Kozo
- Small & Narrow, 29 x 39 cm
- Medium (31-70 gsm)
-
Sekishu Kozogami Mare
Made with green bark included, resulting in an especially strong paper. Fibre is beaten by hand a...- Handmade
- 100% Sekishu Kozo
- Small & Narrow, 53 x 73 cm
- Light (<30 gsm)
-
Sekishu Kozogami Tsuru
Made with green bark included, resulting in an especially strong paper. Fibre is beaten in nagina...- Handmade
- 100% Sekishu Kozo
- Small & Narrow, 53 x 73 cm
- Light (<30 gsm)
-
Hosokawa shi
Traditional Hosokawa production method, including green bark (amakawa).- Handmade
- 100% Tosa Kozo
- Regular, 63 x 93 cm
- Medium (31-70 gsm)