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"Handmade" "Small & Narrow"
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Goyu
A popular standard paper for beginners and students for over 50 years. Beware of imitations.- Handmade
- 50% Thai Kozo + 50% Wood Pulp
- Small & Narrow, 59 x 79 cm
- Medium (31-70 gsm)
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Okawara Small
Dyed to a cream/natural colour with direct dyes. Student-grade paper suitable for printmaking and...- Handmade
- 100% Thai Kozo
- Small & Narrow, 31 x 41 cm
- Medium (31-70 gsm)
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Okawara Large
Dyed to a cream/natural colour with direct dyes. Student-grade paper suitable for printmaking and...- Handmade
- 100% Thai Kozo
- Small & Narrow, 38 x 98 cm
- Medium (31-70 gsm)
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Okawara Student Grade (Original)
Dyed to a cream/natural colour with direct dyes. A popular standard paper for beginners and stude...- Handmade
- 50% Thai Kozo + 50% Wood Pulp
- Small & Narrow, 64 x 47 cm
- Medium (31-70 gsm)
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Kozo/Mitsumata Blended #2
For various printmaking purposes including certificates.- Handmade
- 80% Mino Kozo + 20% Okayama Mitsumata
- Small & Narrow, 43 x 35 cm
- Heavy (>71 gsm)
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Kozo/Mitsumata Blended #1
For various printmaking purposes including certificates.- Handmade
- 80% Mino Kozo + 20% Okayama Mitsumata
- Small & Narrow, 50 x 35 cm
- Heavy (>71 gsm)
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Oguni Kigami Small 45.1～50.2ｇ
Local Oguni kozo fibre is whitened naturally through the snow-bleaching process. Cooked in wood-a...- Handmade
- 100% Oguni Kozo
- Small & Narrow, 29 x 39 cm
- Medium (31-70 gsm)
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Sekishu Kozogami Mare
Made with green bark included, resulting in an especially strong paper. Fibre is beaten by hand a...- Handmade
- 100% Sekishu Kozo
- Small & Narrow, 53 x 73 cm
- Light (<30 gsm)
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Sekishu Kozogami Tsuru
Made with green bark included, resulting in an especially strong paper. Fibre is beaten in nagina...- Handmade
- 100% Sekishu Kozo
- Small & Narrow, 53 x 73 cm
- Light (<30 gsm)
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Oguni Fudagami Small 57.5～63.6ｇ
A thick and sturdy paper, originally used for tags necessary in the kimono dyeing process.- Handmade
- Oguni Kozo & Paraguayan Kozo
- Small & Narrow, 29 x 39 cm
- Medium (31-70 gsm)
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Gampi
Cooked in lime. Dried on wooden boards in the sun.- Handmade
- 100% Japanese Gampi
- Small & Narrow, 53 x 40 cm
- Light (<30 gsm)
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Echizen Gampi Shi - traditional
Dried on wooden boards. Especially suitable for Chine-collé.- Handmade
- 100% Japanese Gampi
- Small & Narrow, 42 x 30 cm
- Light (<30 gsm)
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Echizen Gampi Shi - traditional
Dried on wooden boards. Especially suitable for Chine-collé. Produced as the interleaving paper f...- Handmade
- 100% Japanese Gampi
- Small & Narrow, 61 x 44 cm
- Light (<30 gsm)
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Mitsumata Double
Cooked in lime. Dried on wooden boards in the sun.- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 55 x 70 cm
- Light (<30 gsm)
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Mitsumata
Dried on wooden boards in the sun. An exceptionally smooth surface for writing. Also suitable for...- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 26 x 18 cm
- Light (<30 gsm)
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Mitsumata Printmaking Paper
Cooked in lime. Dried on wooden boards in the sun. Developed especially for printmaking purposes.- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 55 x 98 cm
- Medium (31-70 gsm)
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Kizuki Hosho
White clay mixed in. Made by Living National Treasure, using specially selected Nasu kozo. Especi...- Handmade
- 100% Nasu Kozo
- Small & Narrow, 44 x 55 cm
- Heavy (>71 gsm)
