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Hosokawa shi
Made with only white bark. Recognized as an Important Intangible Cultural Property.- Handmade
- 100% Tosa Kozo
- Regular, 40 x 43 cm
- Medium (31-70 gsm)
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Kurotani Kizuki Kozo Shi
Made with green bark included. Kurotani has a history of over 800 years as a washi production area.- Handmade
- 100% Kurotani & Kishu Kozo
- Regular, 65 x 98 cm
- Light (<30 gsm)
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Oguni Fudagami Small 57.5～63.6ｇ
A thick and sturdy paper, originally used for tags necessary in the kimono dyeing process.- Handmade
- Oguni Kozo & Paraguayan Kozo
- Small & Narrow, 29 x 39 cm
- Medium (31-70 gsm)
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Gampi
Cooked in lime. Dried on wooden boards in the sun.- Handmade
- 100% Japanese Gampi
- Small & Narrow, 53 x 40 cm
- Light (<30 gsm)
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Echizen Gampi Shi - traditional
Dried on wooden boards. Especially suitable for Chine-collé.- Handmade
- 100% Japanese Gampi
- Small & Narrow, 42 x 30 cm
- Light (<30 gsm)
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Echizen Gampi Shi - traditional
Dried on wooden boards. Especially suitable for Chine-collé. Produced as the interleaving paper f...- Handmade
- 100% Japanese Gampi
- Small & Narrow, 61 x 44 cm
- Light (<30 gsm)
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Mitsumata Double
Cooked in lime. Dried on wooden boards in the sun.- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 55 x 70 cm
- Light (<30 gsm)
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Mitsumata
Dried on wooden boards in the sun. An exceptionally smooth surface for writing. Also suitable for...- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 26 x 18 cm
- Light (<30 gsm)
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Mitsumata Printmaking Paper
Cooked in lime. Dried on wooden boards in the sun. Developed especially for printmaking purposes.- Handmade
- 100% Okayama Mitsumata
- Small & Narrow, 55 x 98 cm
- Medium (31-70 gsm)
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Kizuki Hosho
White clay mixed in. Made by Living National Treasure, using specially selected Nasu kozo. Especi...- Handmade
- 100% Nasu Kozo
- Small & Narrow, 44 x 55 cm
- Heavy (>71 gsm)
